It is a film about the carnival in Rio de Janeiro, with bodies that dance, talk and get excited. The city becomes a jungle and everything is allowed. It is an explicit carnival with penises and butts dancing with the rhythm of samba.
It is a film that emphasises the freedom of expression.
Portraits the carnival as a kind of an orgy / a consented orgy, where you explore your desires and fantasies and be who you really are.
(Subtitles available in English. Click on “CC” button on the video)
NYT: The British fashion stylist IB Kamara, originally from Sierra Leone, and the South African photographer Kristin Lee-Moolman have collaborated on a project titled “2026,” which addresses heteronormative attitudes to self-expression through fashion. The photographs imagine what men’s wear may look like in 10 years, through the use of fabrics rescued from garbage bins and thrift shops in Johannesburg and made into contemporary garments.
“I wanted to create a utopia where you can be whatever you want to be, without emphasis on masculinity or sexuality,” Mr. Kamara said last week, as he put the finishing touches to the large-scale photographic prints of young African men in dresses now hanging from the walls of Somerset House, one of Britain’s grandest palaces. “I wanted men, in particular black men, to just be able to be and breathe like every other type of man has been able to breathe for centuries, without the pressure and policing of black masculinity lingering over them.”
Articles & Images:
in Provincetown with GABE LADUKE
featuring NICK SCUCCIMARRI
photography by RON AMATO for Summer Diary
HATCHES HARBOR | PROVINCETOWN, MASSACHUSETTS | JULY 2016
Just discovered PYROKUB a few days ago. I have been happily jerking off to the sexual exploits of versatile bearded hottie Wolfy and his Papa and Daddy Bear. I really like Wolfy getting fucked the best. In a tent, in a park, on a bed, on the floor… YES!!! See what you think. Several downloadable videos to enjoy! I LOVE YOU WOLFY! PYROKUB on X-TUBE
Dedicated to the Pulse nightclub victims in Orlando.
They were dancing. We will keep dancing for you.
See the full video: link in my profile above. Following the attacks at the Pulse Nightclub in Orlando Erin and I were devastated. We channeled our feelings into something that we hope will help. Please share the link. Directed by: @madexmoviereview Dancers: @jcerinburrell @mucksnipe @rattie77 @happycamperpdx @thedjewel @landlockd @loubecker @elijalov @zivkoface @adrianomarayala #erinbreaksitdown Song: Bronski Beat – Why
WIKI P: William Linich, Jr. (February 22, 1940 – July 18, 2016), known professionally as Billy Name, was an American photographer, filmmaker, and lighting designer. He was the archivist of the Warhol Factory, from 1964 to 1970. His brief romance and subsequent friendship with Andy Warhol led to substantial collaboration on Warhol’s work, including his films, paintings, and sculptures. Linich became Billy Name among the coterie known as the Warhol Superstars. He was responsible for “silverizing” Warhol’s New York studio, the Factory, where he lived until 1970. His photographs of the scene at the Warhol Factory and of Warhol himself are important documents of the Pop art era.
Name was responsible for taking still photographs at the Factory. Indeed, Name lived and worked at the Factory, having taken up residence in a closet at the back of the studio, at 231 East 47th Street. With the gift of Warhol’s 35 mm single-lens reflex Honeywell Pentax camera, along with its operating manual, Name taught himself the technical aspects of photography. He converted one of the Factory bathrooms into a darkroom, where he mastered methods of processing and developing film. These newly acquired skills, combined with his background in lighting and experimental approach to his work, resulted in a body of work which captured the “silver years” at the Factory (1963–70).
Name’s close friendship with Warhol – and his role in creating Warhol’s artistic environment – provided him with a unique perspective of the Factory, with a particular focus on a core group of “superstars”, who largely improvised before the camera. Name’s understanding of theatre and lighting was an important influence on the look and ambience of the Factory and of Warhol’s early films.
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