INPSIRED LOOK OF THE DAY: BEARDY MODEL in PRETTY SNAKE & MASSIVE’S CAVEMAN GUU “surfing raw steak through the universe” SWIM BRIEF…
Pretty Snake and MASSIVE have teamed up again to bring you the latest in FOIN ASS swimwear. It’s JIRAIYA’s iconicCaveman Guu surfing raw steak through the universe and it will make you want to get wet.
This awesome swim brief fits even more sexy and snug than our first swim drop with Pretty Snake. Made entirely in USA, this item ships from Brooklyn NY.
Model shown wearing a Size L
86% Polyester, 14% Spandex
Printed and Assembled in USA of imported fabric
S (26-28″), M (28-30″), L (32-33″), XL (34-36″), 2XL (38-40″), 3XL (42-44″)
shooting by Jade Young
published in OH LA LA mag
sissydude hearts lttlsr
CBC NEWS/ WINDSOR Earl Barish started out as a Dickie Dee boy in Winnipeg, riding for two summers, starting in 1957 when he was just 14 years old. The owners of the small local business he worked for decided they wanted to sell. In what proved to be a very savvy move, the Barish brothers’ parents scraped together $2,000 to buy the business, which then consisted of about eight Dickie Dee tricycles. The business was called Dickie Dee when they bought it and Sid Barish says “there’s not meaning behind it,” as far as he knows. Earl Barish would not say how much Dickie Dee sold for in 1992, except to say his family grew it in to a “substantial business.” These days, Earl Barish runs the iconic Salisbury House chain of restaurants in Winnipeg. Sid Barish lives in Toronto and works in real estate.
A key that helped build the ice-cream tricycle business into something “substantial” was the iconic ringing from the bells on the handlebars that would let kids know the Dickie Dee man was coming. While the business came with the name Dickie Dee the Barish family added the bells, said Sid Barish. Memories of the Dickie Dee bells ringing brings back a flood of memories for many Canadians of a certain age. How did Dickie Dee become such a beloved brand?
It is a film about the carnival in Rio de Janeiro, with bodies that dance, talk and get excited. The city becomes a jungle and everything is allowed. It is an explicit carnival with penises and butts dancing with the rhythm of samba.
It is a film that emphasises the freedom of expression.
Portraits the carnival as a kind of an orgy / a consented orgy, where you explore your desires and fantasies and be who you really are.
(Subtitles available in English. Click on “CC” button on the video)
NYT: The British fashion stylist IB Kamara, originally from Sierra Leone, and the South African photographer Kristin Lee-Moolman have collaborated on a project titled “2026,” which addresses heteronormative attitudes to self-expression through fashion. The photographs imagine what men’s wear may look like in 10 years, through the use of fabrics rescued from garbage bins and thrift shops in Johannesburg and made into contemporary garments.
“I wanted to create a utopia where you can be whatever you want to be, without emphasis on masculinity or sexuality,” Mr. Kamara said last week, as he put the finishing touches to the large-scale photographic prints of young African men in dresses now hanging from the walls of Somerset House, one of Britain’s grandest palaces. “I wanted men, in particular black men, to just be able to be and breathe like every other type of man has been able to breathe for centuries, without the pressure and policing of black masculinity lingering over them.”
Articles & Images:
in Provincetown with GABE LADUKE
featuring NICK SCUCCIMARRI
photography by RON AMATO for Summer Diary
HATCHES HARBOR | PROVINCETOWN, MASSACHUSETTS | JULY 2016
Just discovered PYROKUB a few days ago. I have been happily jerking off to the sexual exploits of versatile bearded hottie Wolfy and his Papa and Daddy Bear. I really like Wolfy getting fucked the best. In a tent, in a park, on a bed, on the floor… YES!!! See what you think. Several downloadable videos to enjoy! I LOVE YOU WOLFY! PYROKUB on X-TUBE
WIKI P: William Linich, Jr. (February 22, 1940 – July 18, 2016), known professionally as Billy Name, was an American photographer, filmmaker, and lighting designer. He was the archivist of the Warhol Factory, from 1964 to 1970. His brief romance and subsequent friendship with Andy Warhol led to substantial collaboration on Warhol’s work, including his films, paintings, and sculptures. Linich became Billy Name among the coterie known as the Warhol Superstars. He was responsible for “silverizing” Warhol’s New York studio, the Factory, where he lived until 1970. His photographs of the scene at the Warhol Factory and of Warhol himself are important documents of the Pop art era.
Name was responsible for taking still photographs at the Factory. Indeed, Name lived and worked at the Factory, having taken up residence in a closet at the back of the studio, at 231 East 47th Street. With the gift of Warhol’s 35 mm single-lens reflex Honeywell Pentax camera, along with its operating manual, Name taught himself the technical aspects of photography. He converted one of the Factory bathrooms into a darkroom, where he mastered methods of processing and developing film. These newly acquired skills, combined with his background in lighting and experimental approach to his work, resulted in a body of work which captured the “silver years” at the Factory (1963–70).
Name’s close friendship with Warhol – and his role in creating Warhol’s artistic environment – provided him with a unique perspective of the Factory, with a particular focus on a core group of “superstars”, who largely improvised before the camera. Name’s understanding of theatre and lighting was an important influence on the look and ambience of the Factory and of Warhol’s early films.
It is a multi textural film with the visual appeal of an old school anthropological nature documentary, set in the male garden of Eden. A lost paradise of the Brazilian Amazon.
The sex, the desire and the chasing are universal primitive animal instincts.
This film portrays a territory free from taboos, where all types of tribes and a diverse typology of men communicate through the universal language of cruising. It is playfully animalistic but also very human, a cruising performance with explicit sex.
With: Brazilian men
Editing and Sound Design: Antonio Da Silva
Camera: Antonio Da Silva and Fábio Lopes
BRASIL JUNGLE will have a world festival premier in September the 17th at Queer Lisboa Film festival, Portugal.
©1993 Bonnie Prudden, Inc. The Bonnie Prudden Show was shot by the Canadian Broadcasting Company in Australia, Canada, and Singapore in 1967.
LOVE this woman! Used to watch her as a kid. She exercised in the best outfits.
Watch all six videos in a row… ABOVE!!!
Sissydude totally got a boner when he read this Jake quote @ The Chicago Tribune:
“I’m extremely hairy,” the Cubs ace says in the annual photo spread featuring athletes in the nude. “It pretty much connects from the top of my head to my toes with a nice upper body sweater/track jacket type of thing. I’m shaved right now. The chest is good, the back is pretty solidly shaven.”
I think the beard plays a slight factor to my presence on the mound. It’s kind of part of the persona now. Everyone in Chicago embraced it, so I got to keep it. I can’t ditch it now. I got rid of it in the offseason and I got some pretty intense reactions. I told them, “Don’t worry, give me two weeks and it’ll be back.” READ THE Arrieta ESPN interview HERE.
MORE JAKE SEXINESS after the JUMP….
“I want to stare down fear and intolerance with the queer eyes in my queer face. I want to try to not be afraid. I know I’ll make mistakes, but I want to keep going.
“I’ve seen the incredible amount of support and love from our fans and I’ve learnt a lot from them. I can only hope that the dialogue continues and we trust each other enough to carry on.”
The video was directed by Matt Lambert and choreographed by noted choreographer Ryan Huffington. What resulted is what Alexander described as a “magical queer creative energy.”
DAZED article HERE
All my Luke & Bo Duke fantasies come to life!!!
“You can’t be a giver if you’re bitter.”
There are 10 sides to listen to here… she reads the whole thing. You’re welcome.
Want to read it yourself? Read this 1971 classic HERE @ THE CONCLUDING CHAPTER OF CRAWFORD (for educational purposes of course).