SISSYDUDE LOVES: The NEW Crows Nest Barber Shop & THAT Vivienne Westwood MAGNOLIA wallpaper on the ceiling.
I’ve been going to The Crows Nest Barbershop for a few years now. LOVE the place. Jimmy cuts my hair. Anyhoo, they just moved into a new space and it looks pretty AMAZING! The old shop had more of a classy frat boy den look… the new space went more old world. They ditched all the skateboard/vintage Playboy magazine/ 90′s cool guy stuff but kept the Jesus paraphernalia (less tacky Jesus… more creepy pretty Jesus).
Sure they went for the classic subway tile, black lacquer trim and light turquoise walls… but they went (((BAM BAM BAM))) on the ceiling with the Westwood Magnolia wallpaper. With the thick ornate bright white crown moldings, boy this really makes a statement. The wallpaper echoes all those beautiful bark cloth curtains from the ’30s, ’40s & ’50s but close up it’s a total digitized “cutout” effect which wouldn’t be as lovely on the walls. But up 12 feet in the air… stunning! Sissydude LOVES… indeed!
MORE pics & other colour combos of the Westwood print after the jump…
I’m making a better flow in my place… no Feng shui bullshit… just making more space to easily roam about. I felt like the furniture was taking over a bit. I wanted to see more floor… SERIOUSLY!
I had a fairly large kitchen table that I knew was too big for the space but I’m tall so it worked for me not the space. But last week the largeness of the table and four chairs was driving me nuts. The cuteness of the Tiffany box blue had lost it’s ummmm… cuteness. So, I thought I’d throw the table & chairs on the street for anyone to take and get a much smaller rustic wood table and 2 chairs for the kitchen. I thought it would be a long search (and I don’t really have the cash flow right now) but I found what I wanted at a favorite antique collectable shop (for Toronto locals the store is REC at 1080 Queen St. W).
The prices were really good. The three chairs were from a dairy farm in Upstate, New York. They must have been painted a good dozen times, tons of paint worn off, wood exposed. Greyish/beige with red accents. One chair looked like it may have been a fave of some farm pooch because it was full of scratch marks and chews. LOVE.
The table was perfect too. Nice and chunky with a slat top. I told the owner Ron about me getting rid of my kitchen table & chairs… and that these would be the perfect replacement. Then the magic started. I never even thought and then said I could take pictures of them and if he was interested he could have them… and maybe he could take a few bucks off for me. Sent him the pics and BAM! “Want to do an trade?”
I was so happy… and so was he! I walked by the store today and there was my old kitchen in the window. I couldn’t go in, but I really wanted to know how much the set was going for. So, if anyone wants Sissydude’s old kitchen… it’s for sale!
I know… WHO CARES! I do! I’m very proud of myself for ditching two pieces of furniture to make a “better flow” in my living room space. It really feels better in there. MORE ROOM TO ROAM, people! Here are some images taken today on this lovely bright autumn afternoon…
Stunning plates from 1934′s ‘Colour Schemes for the Modern Home’ by Derek Patmore (via Front Free Endpaper)
MORE FILE PHOTO goodness HERE!
MORE FILE PHOTO goodness HERE!
So, I bought a cute vintage lamp a few weeks ago and it inspired me to re-paint my office/studio from it’s Easy Bake oven blue to the light pink I painted throughout my apartment. It took too long but it’s done! I quite love it… come see!
TEXT via WIKIPEDIA:
The Black Cat Bar or Black Cat Café was a bar in San Francisco, California. It opened in 1906 and closed in 1921. The Black Cat re-opened in 1933 and operated for another 30 years. During its second run of operation, it was a hangout for Beats and bohemians but over time began attracting more and more of a gay clientele.
Because it catered to gays, the bar became a flashpoint for the nascent homophile movement. The Black Cat was at the center of a legal fight that was one of the earliest court cases to establish legal protections for gay people in the United States. Despite this victory, continued pressure from law enforcement agencies eventually forced the bar’s closure in 1964.
The Black Cat opened in 1906, shortly after the 1906 San Francisco earthquake. When entrepreneur Charles Ridley acquired the bar in 1911, he turned it into a showplace for vaudeville-style acts. Over the next several years, Ridley and the Black Cat came under increased police scrutiny as a possible center of prostitution. In 1921, the bar lost its dance permit and closed down.
With the repeal of Prohibition, the Black Cat re-opened in 1933 at 710 Montgomery Street, again under Ridley’s proprietorship. Sol Stoumen bought the bar in the 1940s. In the early years of Stoumen’s ownership, the Black Cat was a center for the bohemian and Beat crowd. William Saroyan and John Steinbeck were known to frequent the establishment, and part of Jack Kerouac’s seminal Beat novel On the Road is set in the bar.
While the Beats continued to congregate at the Black Cat into the 1950s, in the years following World War II, more and more gay people began patronizing it. The varied crowds mixed and gay Beat poet Allen Ginsberg described the Black Cat as “the best gay bar in America. It was totally open, bohemian, San Francisco…and everybody went there, heterosexual and homosexual….All the gay screaming queens would come, the heterosexual gray flannel suit types, longshoremen. All the poets went there.” By 1951, the bar was placed on the Armed Forces Disciplinary Control Board’s list of establishments which military personnel were forbidden to enter.
The bar featured live entertainers, the best known of whom was José Sarria. Sarria, who began as a waiter, wore drag and entertained the crowd by singing parodies of popular torch songs. Eventually he performed three to four shows a night, along with a regular Sunday afternoon show, with Sarria performing full arias. His specialty was a re-working of Bizet’s opera Carmen, set in modern-day San Francisco. Sarria as Carmen would prowl through popular cruising area Union Square. The audience cheered “Carmen” on as she dodged the vice squad and made her escape.
Sarria encouraged patrons to be as open and honest as possible, exhorting the clientele, “There’s nothing wrong with being gay–the crime is getting caught,” and “United we stand, divided they catch us one by one.” At closing time, he would lead patrons in singing “God Save Us Nelly Queens” to the tune of “God Save the Queen”. Sometimes he would take the crowd outside to sing the final verse to the men across the street in jail, who had been arrested in raids earlier in the night. Speaking of this ritual in the film Word is Out (1977), gay journalist George Mendenhall said:
“It sounds silly, but if you lived at that time and had the oppression coming down from the police department and from society, there was nowhere to turn…and to be able to put your arms around other gay men and to be able to stand up and sing ‘God Save Us Nelly Queens’…we were really not saying ‘God Save Us Nelly Queens.’ We were saying ‘We have our rights, too.’
Sarria became the first openly gay candidate in the United States to run for public office, running in 1961 for a seat on the San Francisco Board of Supervisors. Sarria almost won by default. On the last day for candidates to file petitions, city officials realized that there were fewer than five candidates running for the five open seats, which would have assured Sarria a seat. By the end of the day, 34 candidates had filed.Sarria garnered some 6,000 votes, shocking political pundits and setting in motion the idea that a gay voting bloc could wield real power in city politics. As Sarria put it, “From that day on, nobody ran for anything in San Francisco without knocking on the door of the gay community.”
In 1948, the San Francisco Police Department and the Alcohol Beverage Control Commission, in response to the Black Cat’s increasing homosexual clientele, began a campaign of harassment against the bar and its patrons. Bar owner Stoumen was charged with such crimes as “keeping a disorderly house” and the State Board of Equalization suspended the bar’s liquor license indefinitely. In response and on principle, Stoumen, who was heterosexual, took the state to court. In 1951, the California Supreme Court, in Stoumen v. Reilly (37 Cal.2d 713) ruled that “in order to establish ‘good cause’ for suspension of plaintiff’s license, something more must be shown than that many of his patrons were homosexuals and that they used his restaurant and bar as a meeting place.” This was one of the earliest legal affirmations of the rights of gay people in the United States. The court qualified its opinion, however, by stating that ABC might still close gay bars with “proof of the commission of illegal or immoral acts on the premises.”
In response to this legal victory and based on the “illegal or immoral acts” language of the opinion, the state passed a constitutional amendment creating the California Department of Alcoholic Beverage Control (ABC). The California State Assembly in 1955 passed a law authorizing broad powers for the ABC to shut down any “resort [for] sexual perverts.” The Black Cat was shut down under this authority, along with a number of other establishments. In a test case involving an Oakland bar, Vallerga v. Department of Alcoholic Beverage Control, the California Supreme Court struck down this new law as unconstitutional. This decision was not a complete victory, as the court noted that had the ABC’s revocation been based on “reports of women dancing with other women and women kissing other women” it might have upheld the law. Homosexuals, therefore, had won the right to assemble but only if they agreed not to touch.
Police and city officials responded to the increasing visibility of the Black Cat and other gay bars in the city, and the Black Cat’s success in court, by increasingly cracking down, staging more frequent raids and mass arrests. One favorite tactic was to arrest drag queens, since impersonating a member of the opposite sex was, at the time, a crime. Sarria responded by passing out labels for the drag queens to wear reading “I am a boy” so it could not be claimed they were impersonating women.
By 1963, following some 15 years of unrelenting pressure from the police and the ABC, Stoumen decided he was no longer able financially to sustain the fight. The cost of his long legal battle was more than $38,000. Sarria tried to enlist the owners of the city’s other gay bars to help Stoumen pay his legal bills, but none offered any assistance. The ABC lifted the bar’s liquor license in 1963, the night before its annual Halloween party. After a final defiant Halloween celebration at which only non-alcoholic beverages were served and an attempt to survive on food and soft drink sales, the Black Cat closed down for good in February 1964.
The site is now the location of Bocadillos, a tapas-style restaurant. On December 15, 2007, a plaque commemorating the Black Cat and its place in San Francisco history was placed at the site.
vintage easter FUN with Pier Angeli, Snoopy, Doris Day, Bunnies, Chicks and a “GAY” Easter Cake Recipe!
check out FILE PHOTO!
HOLLYWOOD STYLE SCENE: Jackie Beat’s irreverent mix of music and comedy is as fun and catchy as it is bitingly hilarious, a skewering of pop culture, gay life and everything in between presented like no other man or woman can. Her vocal gifts and knack for parody have made her drag queen royalty all across the country. But Beat has been dealing something that is no laughing matter: two painful hips in need of replacement. As Beat herself says on her Give Forward page, her hips are “crumbling like a sandcastle during high tide.” An amazing assemblage of L.A. and Hollywood creatives, artists and performers have banded together to help via a fundraiser happening TUESDAY, FEB. 26 (update: that’s tonight!) at the Abbey in West Hollywood, and it promises to be a night for the hip-saving history books! It is free to attend, simply make a donation! Even if you can’t make it, you can donate HERE.
More pics HERE!
“we’re poor and creative so we made tiny sugar cookies with beer bottle caps” (by joel c. & mike m.)
TV ACRES: Miss Chiquita Banana – Female banana character (first drawn by artist Dik Browne) who wore a headdress of fruit and sang the trademark Chiquita Banana song (voice first provided by singer Patti Clayton) that began “Hello Amigo…I’m Chiquita Banana and I’ve come to say/You eat the banana in a special way/And when it’s fleck with brown and has a golden hue/That’s when bananas are the best for you….” (Music © 1945 Shawnee Press Inc.)
The Chiquita Banana jingle was created in 1944 for the United Fruit Company by a BBDO advertising team headed by Robert Foreman. The song’s lyrics, written by Garth Montgomery and music composed by co-worker Ken MacKenzie, instructed Americans on how to ripen and properly use this golden tropical fruit, for example, putting them in pies, or salads and to never to put the equator grown fruit in the refrigerator
In 1945 and 1946, Puerto Rico-born Elsa Miranda portrayed Miss Chiquita in numerous personal appearances in the movies, in radio commercials. June Valli (popular for her 1954 hit song “Crying in the Chapel) was the singing voice of Chiquita Banana in the TV commercials in the 1950s.
In 1987, the image of Miss Chiquita changed from a banana character when artist Oscar Grillo, creator of the Pink Panther, transformed her into a beautiful brown skinned woman with a teasing smile who wore the traditional fruit-filled sombrero, gold loop earrings along with a blue dress adorned with ruffled sleeves and hems edged in yellow.
I’m Chiquita Banana, and I’ve come to say
Bananas have to ripen in a certain way.
And when they are flecked with brown
and have a golden hue,
Bananas taste the best, and are the best for you.
You can put them in a salad. You can put
them in a pie – aye.
Anyway you want to eat them it’s
impossible to beat them.
But bananas like the climate of the very,
very tropical equator.
So you should never put bananas in the refrigerator.