Always thought this guy was a cutie. The pics of him smoking in a white t-shirt & cap have been around for a while. He’s a British actor who apparently is dating Melissa fucking Rivers! Sigh. Anyhow let’s enjoy his furry/ bulky goodness…
I re-post this pic above every once in a while. I meant to do something fun but the timing was off.
My mom had an operation on the 20th (she’s doing great btw) so this “event” totally slipped my mind.
So I guess everyday is a celebration of what I love here @ Sissydude!
Thank you everyone for following and enjoying this thing I do.
I feel the LOVE everyday!
LOST VOCALS: Here are all three takes of Judy Garland singing “The Man That Got Away” from “A Star is Born.” The first version was filmed on October 21st, 1953, featuring Judy in a pink blouse. But the cameraman could not give Cukor what he wanted: “low light levels, the impressionistic feeling of the musical instruments, Garland moving in and out of pools of light,” so he was fired.
Changes were made to the costume and set and the number was re-filmed on October 29th. Gene Allen: “The first time it looked as if we had painted a set to look like a bar. So to give it a slightly impressionistic look I…put a scrim between the musicians and the back bar. If you look very carefully at that scene you can see the scrim nailed down on the floor…”
Garland did 27 takes of the number over three days, both partial and complete. But “Cukor had her doing bits of business before the song, and all of that action didn’t really fit the song – it was just too busy. And she didn’t look good – her costume was wrinkled, it didn’t fit right.” And the color was wrong: too brown.
It was filmed for a third time in February of 1954, with new hairstyle and costume and a new set using reds and blues. Cukor: “I think we have generated a lot of sex…She looks perfectly charming in a new Jean-Louis dress, and I know that this too is an enormous improvement over the way we first did it – it has fun and spirit.”
Soundman Earl Bellamy: “When Judy sang to playback, you couldn’t hear anything…She wanted me to start at full blast and then she topped it…you could hear Judy clear as a bell, and she sang right with it…”
Elaine Banks, Jackie Shane documentary, CBC Radio, Inside the Music, edited by David Dacks
I Got Mine, the story of the soul and R&B singer named Jackie Shane.
Shane was one of the most popular singers in Toronto’s thriving R & B scene of the mid-sixties. He was a remarkable figure for his day: he was openly gay and a cross dresser with a flair for fashion. Shane’s magnetic charisma and passionate performances made him a favourite of a generation of Toronto club goers.
This first-ever biography sheds some light on an important figure and time in Toronto’s music history. Interviews with Jackie’s friends and band mates detail his influence on a generation of musicians and performers, and speak of a legacy which extends beyond the realm of music.
WIKI: It is a remake of the 1939 classic comedy The Women. Both films are based on Claire Boothe Luce’s original play. The 1956 musical was directed by David Miller and stars June Allyson, Joan Collins, Dolores Gray, Ann Sheridan, Ann Miller, Leslie Nielsen, Jeff Richards, Agnes Moorehead, Charlotte Greenwood, Joan Blondell, Sam Levene, Dick Shawn, Jim Backus, Bill Goodwin and Harry James.
The story concerns Kay Hilliard (June Allyson), a former nightclub singer who discovers her husband Steven (Leslie Nielsen) is having an affair with showgirl Crystal Allen (Joan Collins). Kay is the last to find out among her circle of gossiping girlfriends. Kay travels to Reno to divorce from Steve who then marries Crystal, but when Kay finds out that Crystal isn’t true to Steve she starts fighting to win her ex-husband back.
Unlike its predecessor, the cast includes male actors to play husbands and boyfriends, whose characters were only referred to in the previous film and stage versions. This alters the structure and tone of the base storyline significantly.
BUTT on Gerald Oglesby
In the short-run publication, AMG Raw, Gerald is referred to as a 23-year-old who can ‘obviously take care of himself.’ He is also noted as being six-feet tall, and an army veteran with a love of kung fu, water skiing, and etymology. Countless photographers described him as a sweet, mild-mannered guy, but in The Big Penis Book Dian Hanson recounts a story that contradicts his reputation. It turns out Gerald went on to tie up, rob, and set fire to one unlucky photographer’s apartment. He loved cocaine, and can be seen sporting a very long pinky nail in many of his photographs for AMG. The ‘Subjective Character Analysis’ symbols accompanying his photos in Physique Pictorial describe him as a married, fun loving, yet expensive hustler, open to topping and bottoming. Gerald was born March 13, 1952. He stood 6’ and weighed 189 lbs. when this photo was taken.
Oh, Luke Halpin… one of my first pre-teen crushes. Usually my crushes were always MEN (like Halpin’s Flipper fur chested studly dad Brian Kelley) but Luke was my age when I was crushing on him (AGE APPROPRIATE!). Though I watched the show in the 70′s so he was probably in his late twenties by then… but I digress… anyhoo, here is an obsessive post just for you. Most pics found at SUPER OBSESSIVE/ AWESOME THE LUKE HALPIN GALLERY.
Willie Mae “Big Mama” Thornton (December 11, 1926 – July 25, 1984) was an American rhythm and blues singer and songwriter. She was the first to record the hit song “Hound Dog” in 1952. The record was #1 on the Billboard R&B charts for seven weeks in 1953; the single sold almost two million copies. Its B-side was “They Call Me Big Mama.” Three years later, Elvis Presley recorded his even more broadly successful rendition of “Hound Dog,” based on a version performed by Freddie Bell and the Bellboys. Similarly, Thornton wrote and recorded “Ball ‘n’ Chain”, which became a hit for her, yet Janis Joplin’s later recording of it made a bigger impact in the late 1960s.
The Ross Sisters were a trio of female sibling singing dancers consisting of Aggie Ross, Elmira Ross, and Maggie Ross (whose real names were Veda Victoria, Dixie Jewel and Betsy Ann Ross). The Ross Sisters performed as a 3-part harmony trio wherein they also danced and did acrobatics and contortionism. Their public attention peaked during the 1940s, during which they were featured prominently in the film Broadway Rhythm. This footage has since gained popularity on YouTube. This clip also appears in the compilation film That’s Entertainment! III (1994).
The first recorded documentary study of the international groupie phenomenon as reported in Rolling Stone, Time, the Realist, Cash Box and the Village Voice. The girls heard on this LP report their actual life experiences, feelings and opinions within the pop music scene.
“Bringing two girls in at a time, [Lorber] put them in separate booths facing each other for a lifelike stereo effect. I think ‘The Groupies’ will sell for a lot of reasons. For those on the scene but removed from this particular activity, there is a double-edged fascination… For parents of teenage daughters, it will be the scare record of the year.”
Produced by Alan Lorber (1969).
The notorious Star Magazine, undoubtedly the rarest teen magazine of the 70s! This mag was very unusual- it was nationally distributed and came from major teen publisher Petersen (it took its name from a previous Tiger Beat-type mag, but was totally different). However, and this could only have happened in the 70s, it took its look and inspiration from the Hollywood glitter rock groupie scene based around Rodney’s English Disco.
As Dave Marsh wrote in CREEM, Star promoted the Rodney’s girls as “the prototype of the chic teenage female.” Great hard-edged vibe for the aggressively sexy 70s girl, full of inspirational articles advising the budding “Foxy Lady” on how to handle the “Superfox” boys in her high school and generally not take any crap from anybody!
A cast of ultra-Fox “Star Girls”- Shray Mecham, Patty Clark, Karen Umphrey and others- appeared on the covers and in every issue, demonstrating the ultimate in sky-high platform shoes, rhinestoned denim, and vintage jewelry. Unfortunately Star didn’t last, and I believe that only six issues, spanning February through July of 1973, were ever made. These magazines are extremely rare, precious, coveted, and beautiful. This issue features Shray Mecham on the cover, a comic strip called “The Groupies” by Joe Petagno (girls dress up like Bolan and end up onstage with T.Rex!), “Win The Raspberries’ Rollswagen” contest. Great four-page Marc Bolan interview that’s far more down-to-earth than usual, early Rolling Stones retrospective.
“The Evil She Fox- Will She Ruin Your Life?”, “Those Foxy Hollywood High Girls- How They Get Guys!”, article on how to customize your platform shoes, cartoons of Foxes and Superdudes in glitter regalia, reviews of electronic gadgetry and makeup (including the Panasonic Toot-A-Loop radio!), and tons more amazing stuff.
If you could compress everything that was incredible about the 70s into one place, it would be Star Magazine. Tumblr Sissydude Groupie posts HERE (just keep clicking OLDER POSTS)