PORTRAIT OF JASON a 1967 film by SHIRLEY CLARKE (via Dangerous Minds & Mr. Simpson)
”The most extraordinary film I’ve seen in my life is certainly ‘Portrait of Jason.’ It is absolutely fascinating.”—Ingmar Bergman
DANGEROUS MINDS: During a winter night in 1966, director Shirley Clarke brought her friend, Jason Holliday, to her apartment atop the Chelsea Hotel in New York City and filmed him for twelve consecutive hours. Over the course of the evening, Jason drinks and gets high as he tell stories of his life as a gay, African-American man. Clarke took the footage and edited it down to 95 minutes, resulting in Portrait of Jason (1967). In the film, Jason is charming, entertaining, funny, contradictory, and boorish. His stories concerning class, race, sexuality, and identity alternate between humorous and tragic, all told by a man who appears larger than life.
Portrait of Jason is a landmark film. In this setting, an individual was allowed to simply tell his story over the course of a film’s standard running time. Its cinéma vérité style brings to mind Andy Warhol’s Screen Tests, as well as the films of John Cassavetes, but Clarke’s work is a truly unique movie experience. This mainly has to do with Jason Holliday (a/k/a Aaron Payne), the only person who appears on screen.
The Village Voice’s Melissa Anderson wrote that Portrait of Jason “says more about race, class, and sexuality than just about any movie before or since.”